do you reckon we can talk about the microtechniques like asides, soliloquy/dialogue, or can we get away with the big picture only- the dramatic form and genre
do you reckon we can talk about the microtechniques like asides, soliloquy/dialogue, or can we get away with the big picture only- the dramatic form and genre
I think so, you could talk about how through the dramatic form, audiences are able to hear the dialogue and thus conflict between the characters and go on from there, or how Shakespeare uses soliloquy as a dramatic device that allows audiences to see a reflection of the character's motivations or how the aside speaks directly to the audience. I guess the form allows all those microtechniques to present the conflict directly to the audience
