I took 'closing scenes' to mean 'last act' and then talked about how the last act resolves underlying threads of thematic thought that permeate the play - my two main points were crisis of mortality/OHNOESIWANTTOKILLMYSELF and corruption. Our teacher didn't actually go through the end of the...
Place is actually quite a bit broader than people; it's not just location, after all, and is much more easy to link to the more profound sense of belonging to oneself. While the classic city vs. countryside is a bit clichèd, the dissonance of location with the internal works really well.
My second-last paragraph throws in a mention of how the study of belonging/comparative texts/insertmorecrap has been developed upon as I have undertaken the wonders of 4U English.
Err. Something like that.
But seriously, it's a reflection on process rather than an effort to suck up to the BoS...
I'd say that 1st-gen Romantics were vaguely more dramatic, though at the same time it's very difficult to distinguish between the two; there were quite a few outliers (as mentioned above.) In fact, attempting to define 'Romanticism' is hard enough; finding tangible differences between the first...