Year |
Description |
Source |
Download |
| 2013 |
Related text for crime - truman capote - in cold blood |
Connie.L |
DOCX
(N/A) |
| 2012 |
GENRE Speech - 20min - 25/25 |
rhiannon31395 |
DOCX
(N/A) |
| 2012 |
Timeline and Conventions |
Mem94 |
DOC
(N/A) |
| 2012 |
THE REAL INSPECTOR HOUND TECHNIQUES |
rhiannon31395 |
DOCX
(N/A) |
| 2012 |
SKULL BENEATH THE SKIN NOTES |
rhiannon31395 |
DOCX
(N/A) |
| 2012 |
Crime Genre - Prescribed + Related Texts Summary |
Sophie |
DOCX
(N/A) |
| 2011 |
(very) short story surrounding the gothic/ horror genre |
Tommy |
DOCX
(N/A) |
| 2011 |
Genre: Crime Writing - Creative writing section
Received 25/25 in half-yearly and trials. |
Felicity L. |
DOCX
(N/A) |
| 2011 |
essay crime writing: Tradition vs. Innovation |
lorri chan |
DOCX
(N/A) |
| 2011 |
Crime Writing Analysis 4 texts + integrated response:
The Skull Beneath the Skin, Rear Window, The Black
Dahlia (film), The Interpretation of Murder. |
Me |
DOCX
(N/A) |
| 2011 |
Crime Creative writing story |
Me |
DOCX
(N/A) |
| 2011 |
Genre: "Every age manipulates in its own way for its
own purposes" Essay. 20/20 |
Dan Barabas |
DOC
(N/A) |
| 2011 |
Genre Thesis Quotes - mostly Crime Fiction focused |
Felicity L. |
DOCX
(N/A) |
| 2011 |
Genre: Crime Writing. Text: The Skull Beneath the
Skin. Notes on conventions |
Felicity L. |
DOCX
(N/A) |
| 2011 |
Genre: Crime Writing - Text: The Real Inspector
Hound |
Felicity L. |
DOCX
(N/A) |
| 2011 |
Genre: Crime Writing - Related Text: The Life and
Crimes of Harry Lavender - Focusing on the innovative
and typical conventions of hard-boiled sub-genre. |
Felicity L. |
DOCX
(N/A) |
| 2011 |
Genre: Crime Writing - Related Text: The Lake Ching
Murders - Focusing on the innovative and typical
conventions. |
Felicity L. |
DOCX
(N/A) |
| 2011 |
Crime Fiction Notes |
Maddy Brown |
DOC
(N/A) |
| 2011 |
Significant texts in any genre arise form specific social
and cultural conditions and possess an enduring
relevance. Write an essay in which you explore the
extent to which this is true of texts you have studied in
your elective |
x |
DOC
(N/A) |
| 2010 |
Speech on subversions and constants in "Rear
Window", "The Usual Suspects" and Kathy Reich's,
"Bare Bones". |
Felicia Bardan |
DOCX
(N/A) |
| 2010 |
Speech, batman begins/rear window. 22/25 |
Kieren |
DOCX
(N/A) |
| 2009 |
Crime Writing/Fiction Speech. 32.5/40 |
Jetta |
DOCX
(N/A) |
| 2009 |
Notes on Murder on the Orient express, the Real
Inspector Hound, Wire in the Blood, Skull beneath the
skin & Genre theory |
Vantastic |
DOC
(N/A) |
| 2009 |
Extensive notes on Karan Blixen's autobiography covering major points of discussion from the syllabus. |
vvv |
DOC
(N/A) |
| 2008 |
Essay: Crime Fiction - Diversity and appeal |
Anonymous |
DOCX
(N/A) |
| 2008 |
Speech: "A True Utopia cannot exist in practice" |
Bradley |
DOC
(N/A) |
| 2008 |
Essay: 'Discuss the features of Agatha Christie’s style of crime writing referring to the text Death on the Nile (1936)' |
jessica :] |
DOC
(N/A) |
| 2008 |
Essay: 'How is the Big Sleep a good example of film noir/crime fiction genre? How does the text uphold or subvert the conventions of the genre?' |
me |
DOC
(N/A) |
| 2008 |
Essay: Passion and detachment within crime fiction |
me |
DOC
(N/A) |
| 2008 |
Essay: Crime fiction - The Big Sleep, Skull Beneath the Skin, Lantana, and Murder on the Orient Express |
Natalia |
DOC
(N/A) |
| 2008 |
Essay: Revenge tragedy - 'Reneagde justice', why its a revenge tragedy and how it reflects society. |
rara |
DOC
(N/A) |
| 2008 |
Essay: 'Analyse the film 'renegade justice' as a revenge tragedy, discussing the influence of context on the genre.' |
rara |
DOC
(N/A) |
| 2008 |
Creative Writing: Revenge Tragedy |
V.C |
DOC
(N/A) |
| 2008 |
Essay Plan: High Noon |
V.C |
DOC
(N/A) |
| 2008 |
Essay: Medea and the just society |
V.C |
DOC
(N/A) |
| 2008 |
Essay: The Revenger's Tragedy |
V.C |
DOC
(N/A) |
| 2008 |
Crime Fiction - creative writing |
Veronika |
DOC
(N/A) |
| 2008 |
Prac Response to HSC 2003 Essay Q on Crime Fiction. Band E4 |
Doug Brown |
DOC
(N/A) |
| 2008 |
Essay: The Big Sleep and its exploration of foci other than the
crime. |
Joshua Quealy |
DOC
(N/A) |
| 2008 |
Notes: Crime fiction genre and genre theory |
Joshua Quealy |
DOC
(N/A) |
| 2008 |
Notes: The development of crime fiction as a genre. |
madison re |
DOC
(N/A) |
| 2008 |
Crime Fiction- Supplementary Text "The Narrows" by Michael Connelly. Notes. |
Sean B |
DOC
(N/A) |
| 2008 |
Notes: The Life and Crimes of Harry Lavender and Marele Day. Crime Fiction. |
Anonymous |
DOCX
(N/A) |
| 2008 |
Notes: The Usual Suspects. Crime Fiction |
Anonymous |
DOCX
(N/A) |
| 2008 |
Notes: The Nine Tailors by Dorothy L. Sayers. Crime Fiction. |
Anonymous |
DOCX
(N/A) |
| 2008 |
Summary of Anil's Ghost characters, quotes, themes, plot, relation to crime fiction, literary technique, everything. |
Bethany Millar-Powell |
DOC
(N/A) |
| 2008 |
Genre quotes |
Bethany Millar-Powell |
DOC
(N/A) |
| 2008 |
Values in and of each text: The Big Sleep, The Real Inspector Hound, Anil's Ghost |
Bethany Millar-Powell |
DOC
(N/A) |
| 2008 |
Close examination of Gamini from Anil's Ghost |
Bethany Millar-Powell |
DOC
(N/A) |
| 2008 |
A comment on each of Gamini's appearances in Anil's Ghost, including tonnes of quotes |
Bethany Millar-Powell |
DOC
(N/A) |
| 2008 |
Marlowe monologue. |
Bethany Millar-Powell |
DOC
(N/A) |
| 2008 |
Summary of Wednesday's Child; a Police Procedural novel that I used as an additional text. |
Bethany Millar-Powell |
DOC
(N/A) |
| 2008 |
Notes: Genre theorists |
collation |
DOC
(N/A) |
| 2008 |
Notes: 'Shipping News' |
koby-h |
DOC
(N/A) |
| 2008 |
Notes: Crime fiction texts |
madzie |
DOC
(N/A) |
| 2008 |
Chapter notes: Anil's Ghost |
me |
DOC
(N/A) |
| 2008 |
Notes: Comparision of The Big Sleep and McCallSmith's 'The Number One Ladies Detective Agency' |
me |
DOC
(N/A) |
| 2008 |
Notes: The real inspector hound analysis |
me |
DOC
(N/A) |
| 2008 |
Notes: The real inspector hound |
me |
DOC
(N/A) |
| 2008 |
Notes: The big sleep, Anil's Ghost, The Inspector Hound, The Number One Ladies Detective Agency |
mixed |
DOC
(N/A) |
| 2008 |
Essay: Revenge Tragedy - Medea, The Revenger's Tragedy, Lion King and Porphyria's Lover |
V.C |
DOC
(N/A) |
| 2007 |
2007. Revenge Tragedy. Creative Writing Assessment - radio drama script. Focuses on Vindice from Tourner's 'Revenger's Tragedy'. |
imogenhm |
DOC
(N/A) |
| 2007 |
2007. Plan/notes for in class essay. Focuses on 'Medea' and extent to which it is a Revenge Tragedy. |
imogenhm |
DOC
(N/A) |
| 2007 |
2007. Revenge Tragedy. Speech Assessment - focuses on 'High Noon'. But also discusses 'Medea' and two related texts (Disney's 'The Lion King' and 'Daughter of the Forest' by Juliet Marillier). |
imogenhm |
DOC
(N/A) |
| 2007 |
prelim- assesment on womens representation and evalutation of bridget jones diary :) |
louise:) |
DOC
(N/A) |
| 2007 |
Report/ feature article- Evaluation of various elements of crime fiction and basic development of the genre. |
Meg |
DOC
(N/A) |
| 2007 |
Crime fiction- Every text acts as a social voice. The Big Sleep, Anil's Ghost, Blood Relatives. |
Meg |
DOC
(N/A) |
| 2007 |
Speech- Crime Fiction- Mystery and the Aestheticization of Violence. The Big Sleep, Silence of the Lambs. |
Meg |
DOC
(N/A) |
| 2007 |
Generic essay covering broad range of aspects of crime fiction. Texts: Murder On the Orient Express (Agatha Christie), The Big Sleep. |
Meg |
DOC
(N/A) |
| 2007 |
Essay of Everything pertaining to crime fiction- The Big Sleep, Anil's Ghost, Christie's Cards On The Table and Blood Relatives. |
Meg |
DOC
(N/A) |
| 2007 |
2007. Collection/summary of genre theory quotes and concepts. Includes Feuer, Gledhill, Neale, Hartly, Wales, Chandler, Konigsberg, Litcher, Buckingham, Thwaites, Derrida, Abercrombie, and Culler. |
imogenhm |
DOC
(N/A) |
| 2007 |
2007. Revenge Tragedy. Text summaries for 'Medea', 'Revenger's Tragedy', 'High Noon', and 'The Lion King'. Focus on purpose, audience, context, values, conventions, and the texts' relation to genre theory. |
imogenhm |
DOC
(N/A) |
| 2006 |
Interview style assessment on "Genre and its role in composing texts" using "Medea", "High Noon" and "kill Bill".
|
|
DOC
(N/A) |
| 2006 |
Revenge Tragedy:Medea- The clash between society's values and the individual's need for psychological integrity. Close reference to context. 18/20 |
Phoebe L |
DOC
(N/A) |
| 2006 |
"The Big Sleep" Generic Essay.Includes genre theory. |
Hannah-Joy Gillard |
DOC
(N/A) |
| 2006 |
A in-depth analysis to the genre of speculative fiction also incorporating aspects of stanley kubricks/anthony burgess' a clockwork orange. CWK format!!! |
Emma |
CWK
(N/A) |
| 2006 |
Crime Fiction Essay using Anil's Ghost and The Big Sleep. Recieved 19/20. |
Anonymous |
DOC
(N/A) |
| 2006 |
CRIME FICTION: How to write Crime Fiction handbook. 22/25 |
Chriso |
DOC
(N/A) |
| 2006 |
Speech on Crime Fiction - PD James. 18/20 |
Doug Brown |
DOC
(N/A) |
| 2006 |
Ext 1 presentation on Great Expectations and Jack Maggs,"How does Carey sustain interest in the values presented by Dickens" |
Erykb |
DOC
(N/A) |
| 2006 |
analysis of genre crime fiction, close reference to sub-genre of "cosy school" with reference to inspector hound and the skull |
genna24 |
DOC
(N/A) |
| 2006 |
Speech on, "You are to explain the conventions of crime fiction genre and evaluate to what extent does the text, "Anil's Ghost" observes these conventions. You are to show how this text explores issues and concerns of significance to its intented audience by making the mystery a vhicle for other focuses. Finally, you are to explain the different ways this text is valued." |
Joel Burman |
DOC
(N/A) |
| 2006 |
Spec. Fic. creative writing task, written from an illustration. 10/10. 750 words |
Kaleah |
DOC
(N/A) |
| 2006 |
Crime Fiction essay on how values of a composers context are shown demonstrated through the genre of crime fiction |
kate |
DOC
(N/A) |
| 2006 |
LOOK!Revenge Tragedy genre - speech about the duchess of malfi and how it adheres to the conventions of the genre |
LIl Rio |
DOC
(N/A) |
| 2006 |
LOOK!!Revenge Tragedy Essay: Medea challenges attitudes concerning the role of women in ancient greek society |
Lil Rio |
DOC
(N/A) |
| 2006 |
LOOK!! Revenge tragedy essay using Medea and Revenger's TRagedy + 2 related texts - Electra and Duchess of Malfi. |
Lil Rio |
DOC
(N/A) |
| 2006 |
LOOK!! Revenge tragedy creative about a designer baby who seeks revenge against his family |
Lil Rio |
DOC
(N/A) |
| 2006 |
Creative Writing |
madzie |
WPS
(N/A) |
| 2006 |
Just an assesment on Crime Fiction, it talks about a variety of texts and is in reference to the enduring popularity. |
Scott M.B |
DOC
(N/A) |
| 2006 |
Speech:Diversification of crime fiction genre
Mark: 20/20
Texts: Murder at the Vicarage (Christie)
No.1 Ladies...(McCall Smith)
Earthly Delights (Kerry Greenwood) |
Sweeno |
DOC
(N/A) |
| 2006 |
CREATIVE WRITING 22/25 - a Tom Stoppard inspired parody of the crime fiction genre i wrote for my 'original writing' component in my extension portfolio. enjoy! Script. |
Tom |
DOC
(N/A) |
| 2006 |
Web Page format text for The Big Sleep. Includes conventions and values within the text. |
WANTED |
DOC
(N/A) |
| 2006 |
Excellent Response to Crime Fiction Half Yearly -Essay on Stoppard. 15/15 |
Doug Brown |
DOC
(N/A) |
| 2006 |
Prac Creative Writing Response to 2003 HSC Crime Fiction. Band E4 |
Doug Brown |
DOC
(N/A) |
| 2006 |
Great notes on the conventions of revenge tragedy using "Medea" and "Titus Andronicus" |
|
DOC
(N/A) |
| 2006 |
A feauture article on the restrictions of genre, crime fiction |
paris.ht |
DOC
(N/A) |
| 2006 |
very good 25/25 crime fiction essay, Corel WordPerfect Document |
matt rose |
WPD
(N/A) |
| 2006 |
Article on 'The Strange Appeal of Crime Fiction'. Excellent theory on the development and mindsets of crime fiction; quotes to use in analyses of your texts, from the author of the 'The Roth Trilogy' and 'Where Roses Fade'. |
Andrew Taylor |
DOC
(N/A) |
| 2006 |
Crime Fiction: The Big Sleep Notes (fairly in-depth)- Character, Setting, Plot Devices, Themes & Social Comment, Context |
Dale |
DOC
(N/A) |
| 2006 |
Succinct Notes on Film Noir |
Doug Brown |
DOC
(N/A) |
| 2006 |
Excellent Notes on Crime Fiction Related Text - Life and Crimes of Harry Lavender |
Doug Brown |
DOC
(N/A) |
| 2006 |
Crime Fiction - Anaylsis of Big Sleep, Anils Ghost, past mortem, gorky park (table form) comprehensive notes |
Lauren |
DOC
(N/A) |
| 2006 |
these are notes we took from a crime fiction lecture |
lecturer Karen |
DOC
(N/A) |
| 2006 |
Crime Fiction Summary on Gene Theory |
Lodza |
DOC
(N/A) |
| 2006 |
Crime Fiction- Character Study on Anil from Anil's Ghost |
princess |
DOC
(N/A) |
| 2006 |
Great detailed notes on Conventions:Big Sleep and Skull Beneath the Skin. Includes setting, sleauth, denouement and crime. |
unknown |
DOC
(N/A) |
| 2006 |
Character Profile: My teacher asked us to create a hard-boiled detective, with subversions if we liked. |
Caroline Pyle |
DOC
(N/A) |
| 2006 |
This was my redo of the Trial HSC exam. Its a radio trascript between a fiction radio host and the creator of the Big Sleep howard hawkes |
paris.ht |
DOC
(N/A) |
| 2006 |
The essay redo - crime fiction. |
paris.ht |
DOC
(N/A) |
| 2006 |
Generic Crime Fiction Creative Writing Response. 23/25 |
Doug Brown |
DOC
(N/A) |
| 2006 |
Prac Response to CSSA 2006 Creative Writing. 24/25 |
Doug Brown |
DOC
(N/A) |
| 2006 |
Essay covering Christies Mysterious affair at styles, big sleep, real inspector hound and Anil's Ghost |
Ed |
DOC
(N/A) |
| 2005 |
Crime Fic: Assessment on The Big Sleep, Evanovich + Paretsky- Gender + sexuality primary focus. |
BBC1 |
DOC
(N/A) |
| 2005 |
Speculative Fic: Speech on related materials: Akira (1988), Karl Kroeber Critical Study (1988) and The Sea and Little Fishes- Terry Pratchett (2000). |
cimbom |
DOC
(N/A) |
| 2005 |
CRIME FIC: (essay) “Good crime fiction is more than just a crime and its resolution; it is a reflection of and a comment on its context.†|
Dark Kenobi |
PDF
(N/A) |
| 2005 |
CRIME FIC: Speech reflecting morals and values of society. |
Dark Kenobi |
PDF
(N/A) |
| 2005 |
Spec Fic: Assessment |
j white |
RTF
(N/A) |
| 2005 |
Spec Fic: Letter of proposal to write sequel of handmaids tale |
j white |
RTF
(N/A) |
| 2005 |
Crime Fic: (speech) analysis of Big Sleep and Murder By Numbers |
Pamela |
DOC
(N/A) |
| 2005 |
Postmodern speech-American Psycho |
Pip |
DOC
(N/A) |
| 2005 |
Crime Fic: Essay |
catmanchan87 |
DOC
(N/A) |
| 2005 |
Revenge Trag: A family tree for Tourneur's 'The Revenger's Tragedy' |
Ashley P |
DOC
(N/A) |
| 2005 |
Crime Fic: Essay notes |
Pippa |
DOC
(N/A) |
| 2005 |
Crime Fic: Essay using P.D. James’s "The Skull Beneath the Skin", M. Ondaatje’s "Anil’s Ghost", J. Deaver’s "The Bone Collector" and J. Bruckheimer’s "CSI: Crime Scene Investigators" |
AshfiaO |
DOC
(N/A) |
| 2005 |
Crime Fic: (notes) gender roles within Evanovich, Paretsky. |
BBC1 |
DOC
(N/A) |
| 2005 |
Crime Fic: (notes) The Skull beneath the skin |
BBC1 |
DOC
(N/A) |
| 2005 |
Crime Fic: Exploration of conventions |
cat_1 |
DOC
(N/A) |
| 2005 |
CRIME FIC: Notes and comparisons of Skull, Hound and Mouse Trap |
Dark Kenobi |
PDF
(N/A) |
| 2005 |
CRIME FIC: Trial HSC Creative Writing Example - Scored 23/25 |
Dark Kenobi |
PDF
(N/A) |
| 2005 |
Crime Fic: Writing Example |
Dark Kenobi |
PDF
(N/A) |
| 2005 |
Crime Fic: Excellent notes on reading and writing crime. |
Dark Kenobi |
PDF
(N/A) |
| 2005 |
Crime Fiction: Skull Beneath the Skin
Extended response on genre using skull beneath the skin and related text |
legend543 |
DOC
(N/A) |
| 2005 |
Revenge Tragedy: Detailed list of conventions and analysis of Revenger's tragedy and Medea |
Lissa |
DOC
(N/A) |
| 2005 |
Revenge Tragedy: Sin City as a revenge tragedy. Includes quotes. |
Lissa |
DOC
(N/A) |
| 2005 |
Speculative Fic: How handmaid's tale, dune, lotr and the magician's nephew fit into speculative fiction + other notes on techniques and quotes |
Me |
DOC
(N/A) |
| 2005 |
Crime Fic: "Anil's Ghost" notes |
Sonia |
PDF
(N/A) |
| 2005 |
Crime Fic: "The Big Sleep" notes |
Sonia |
PDF
(N/A) |
| 2005 |
Crime Fic: Study notes for The Real Inspector Hound with quotes. |
Sonia |
PDF
(N/A) |
| 2004 |
Feature article on the history of crime fiction- Recieved 19/20 |
Rebekah_Powell |
DOC
(N/A) |
| 2004 |
Historical, literary, generic merits and connections. Real Inspector Hound and Murder She Wrote. Promotional presentation. |
mafiosa |
DOC
(N/A) |
| 2004 |
Crime Fiction Presentation |
Cattiva |
DOC
(N/A) |
| 2004 |
A 19/20 speech on speculative fiction conventions. |
Ben Abraham |
DOC
(N/A) |
| 2004 |
Jungian Analysis of Fairytales-include overview, development of theory, elements of a Jungian reading, and actual Jungian analysis of Snow White |
Karen |
DOC
(N/A) |
| 2004 |
Tutorial paper on The Real Inspector Hound. Gained a mark of 24/24 |
Laura W |
DOC
(N/A) |
| 2004 |
Lord of The Rings - the Hero |
Me |
DOC
(N/A) |
| 2004 |
CRIME FICTION: My film noir style script that scored 18/20 |
Rebecca |
DOC
(N/A) |
| 2004 |
Essay 18.5/20 tracing the development of the Crime Fiction genre |
Rebecca |
DOC
(N/A) |
| 2004 |
Extremely detailed Crime Fiction response. Scored 24/25 |
Sjonks |
DOC
(N/A) |
| 2004 |
Essay on Genre and crime fiction |
Sophie Page |
DOC
(N/A) |
| 2004 |
Essay: The Real Inspector Hound |
Cattiva |
DOC
(N/A) |
| 2004 |
Essay covering Atwood, Cherryh, Jackson, Swift and Moore |
Tom Norris |
DOC
(N/A) |
| 2004 |
practice essay for 3english HSC on crime fiction. analysis and synthesis of the godfather,big sleep, inspector hound and life and crimes of harry lavender
I got 92% for this exam. |
sophie |
DOC
(N/A) |
| 2004 |
Essay on the revenge tragedy present in both The Lion King and Hamlet - similarities and differences. (Detailed, 3500+ words.) |
Rashmi Nair |
DOC
(N/A) |
| 2004 |
Science Fiction: Speech - Of what value to society is the genre of science fiction |
*katie* |
DOC
(N/A) |
| 2004 |
Notes on Genre & Speculative Fiction |
Tara Imrie |
DOC
(N/A) |
| 2004 |
detailed look at syllabus texts and genre of crime |
Andy |
DOC
(N/A) |
| 2004 |
What features of The Big Sleep can be seen as either accepting or rejecting the codes of ‘hard-boiled’ detective fiction and film noir? |
bahodl |
DOC
(N/A) |
| 2004 |
related material assessment task: How do these texts conform to or against the genre? in 600 words |
bahodl |
DOC
(N/A) |
| 2004 |
Quotes taken from interviews with P. Jackson and others from LotR Extended editions appendices. |
Ben Abraham |
DOC
(N/A) |
| 2004 |
Powerpoint presentation on Crime Fiction, The Skull Beneath The Skin. |
cam |
PPT
(N/A) |
| 2004 |
21/25 essay on: Analyse two prescribed and related texts on how composers conform to the Revenge Tragedy genre to suit their context, purpose and style. In your answer draw on your knowledge of the conventions of the genre. |
Hussain |
DOC
(N/A) |
| 2004 |
A detailed and analytical practice essay on the Revenge Tragedy genre |
Hussain |
DOC
(N/A) |
| 2004 |
Character description for Gimli from LOTR - The Fellowship of the Ring |
LVB |
DOC
(N/A) |
| 2004 |
Description of Ariane Emory II |
LVB |
DOC
(N/A) |
| 2004 |
Notes on Cyteen (cyteen itself, terminology) |
LVB |
DOC
(N/A) |
| 2004 |
Its a text that deals with how fairy tales are used to develop values in children |
Minh Duy Do |
DOC
(N/A) |
| 2004 |
Brief notes on crime fiction texts, writing the extension essay copied from hsc online |
persephone |
DOC
(N/A) |
| 2004 |
Notes on Genre relating to crime fiction. Genre definitions, history of crime fiction, conventions (taken from a range of sources, not completely my own work) |
persephone |
DOC
(N/A) |
| 2004 |
CRIME FICTION: Notes on American Detective Stories |
Rebecca |
DOC
(N/A) |
| 2004 |
CRIME FICTION: Notes on Film Noir |
Rebecca |
DOC
(N/A) |
| 2004 |
CRIME FICTION: Questions given by teacher for Skull Beneath The SKin |
Rebecca |
DOC
(N/A) |
| 2004 |
CRIME FICTION: Notes on The Big Sleep |
Rebecca |
DOC
(N/A) |
| 2004 |
Revenge Tragedy - related texts and why they can be considered as revenge tragedy |
truly-in-bliss |
DOC
(N/A) |
| 2004 |
Notes on Revenge Tragedy - High Noon - quotes from movie + summary |
truly-in-bliss |
DOC
(N/A) |
| 2004 |
Revenge Tragedy - speech justifying why Broken April by Isamil Kadare is a revenge tragedy |
truly-in-bliss |
DOC
(N/A) |
| 2004 |
Revenge Tragedy - very brief notes on the element of madness in Hamlet |
truly-in-bliss |
DOC
(N/A) |
| 2004 |
Revenge Traged - Madness for and against in Hamlet |
truly-in-bliss |
DOC
(N/A) |
| 2004 |
notes on essay question - is High Noon a revenge tragedy? |
truly-in-bliss |
DOC
(N/A) |
| 2004 |
Revenge Tragedy - Momento essay, very good essay dont steal it otherwise i will personally come and burn your house |
truly-in-bliss |
DOC
(N/A) |
| 2004 |
Basic notes on crimefiction, supplemented by an in-depth study of the Big-Sleep |
x-ray cat 3 |
DOC
(N/A) |
| 2003 |
Crime Fic: Essay
(21/25) |
yeah_daz |
DOC
(N/A) |
| 2002 |
Speech - hardboiled detectives old and/or new. |
Bob Jang |
PDF
(N/A) |
| 2002 |
Essay - conventions and values associated with the genre. |
Lachlan Anthony |
PDF
(N/A) |
| 2002 |
I&S: Character profiles and analysis - covers "A Doll's House". |
Jian Vun |
PDF
(N/A) |
| 2002 |
History of the detective novel, including some analysis of the genre. |
Bob Jang |
PDF
(N/A) |
| 2002 |
Summary - covers "The Skull Beneath the Skin". |
Bob Jang |
PDF
(N/A) |
| 2002 |
Character profiles and analysis - covers "The Skull Beneath the Skin". |
Bob Jang |
PDF
(N/A) |
| 2002 |
Related material - covers "The Guilty Vicarage", "The Body in the Library", "The Maltese Falcon", and "The Skull Beneath the Skin". |
Anton Trees |
PDF
(N/A) |
| 2001 |
CRIME FIC: Essay - "Morally ambiguous crime fiction is more interesting; discuss." (not exact wording). |
David |
PDF
(N/A) |
| 2001 |
Portfolio - covers "Miss Smilla's Feeling for Snow", "Porphyria's Lover", "Rear Window", "Othello" and "The Life & Crimes of Harry Lavender". |
David |
PDF
(N/A) |
| 2001 |
The Purloined Letter - essay/analysis. |
Kellie Dundon |
PDF
(N/A) |
| 2001 |
Techniques and analysis - covers the detective genre, "The Adventure of the Speckled Band", "The Skull Beneath the Skin", "The Big Sleep", "The Real Inspector Hound", "The Life & Crimes of Harry Lavender" and "Dead as a Doornail". |
Alla |
PDF
(N/A) |
| 2001 |
CRIME FIC: Analysis - "Crime fiction often reflects the philosophy of the author. What ideas about life are reflected in Snow Falling on Cedars?" |
David |
PDF
(N/A) |
| 2001 |
Notes and analysis - Agatha Christie‘s "Hercule Poirot P.I." |
Kellie Dundon |
PDF
(N/A) |
| 2001 |
Timeline. |
Kellie Dundon |
PDF
(N/A) |
| 2001 |
Lecture - Macquarie University. |
Kerry-Ann O'Sullivan (c/o Kellie Dundon) |
PDF
(N/A) |
| 2001 |
Crime Fic: Notes - conventions of crime fiction that are satirised in "The Real Inspector Hound". |
Purple |
PDF
(N/A) |
